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Names We Carry
Names We Carry

Art & Design

Names We Carry

Location
Nanuet
Category
Art & Design
Published
Aug 29, 2026

Layered boundaries, stitched routes, and the many overlapping places people mean when they say home.

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The process

Behind the work.

A Rockland address rarely tells the whole truth about where someone lives. A postal name can differ from a village. A village can cross a town line. A school district, library district, neighborhood, congregation, downtown, or remembered family name can feel more precise than the official geography printed on an envelope.

Names We Carry began with the idea that belonging is not a single clean outline. Administrative boundaries are necessary; they decide services, representation, taxes, schools, and records. But lived geography is layered on top of them. It is made from the road someone takes to work, the library that knows their children, the field where a team practices, the store where three languages move through one checkout line, and the answer a person gives when someone from outside the county asks where they are from.

I did not want to make an accurate map. Accuracy would imply that one system could settle the question. Instead, I cut and rebuilt invented territories from paper, vellum, paint, and thread. Some edges align. Others overlap or leave gaps. The blue vertical field suggests the Hudson without turning it into a neat border. Stitched lines hold pieces together, but the holes remain visible. Connection changes the material it joins.

The central circular mark is deliberately ambiguous. It can be read as a home, an origin, a knot, or a point from which many routes begin. The radiating lines refuse to assign one center to everyone. They show how each person constructs a different Rockland from the same physical county.

The boundary study is quieter and less resolved. Translucent shapes allow older edges to remain visible beneath newer ones. Corrections are not erased completely. That matters to me because place names carry memory. Even when a legal boundary changes, people may continue using an earlier name because it describes a relationship that still exists.

This work is an invitation to be specific without becoming rigid. We can respect legal geography and still listen to the language people use for their own belonging. A place can be administratively exact and emotionally plural at the same time.

In this work

1 studies in the progression

Translucent territories, corrections, and routes that refuse a single edge.
01
Translucent territories, corrections, and routes that refuse a single edge.

About the creator

Mike Zaro

I design Rockland Connected. The Creatives wall — the type, the rooms, how a piece hangs — is the work. Built in Nanuet, for people making things in this county.

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